The television message as social object: a comparative study of the structure and content of television programmes in Britain

THE TELEVISION MESSAGE AS SOCIAL OBJECT: A comparative study of the structure and content of television programmes in Britain (excluding public affairs, children's television and shorts). The thesis will be both a theoretical and empirical examination of the applicability of the varieties of analysis of symbolic orders which have been advanced by such writers as Levi-Strauss and Foucault. The thesis is an exploration, through the study of the narrative structure of a series of television drama programmes, of the relationship between television, myths and folktales. Following upon work done principally by Claude Levi-Strauss and Vladimir Propp, but also others writing in the field of semiological and structural analysis, a detailed examination of the video-recorded texts of a thirteen part drama series is presented. It is argued in the context of an examination of, respectively, television and language, television and the mythic, and of the nature of narrative, that the television drama preserves the forms which otherwise might be thought of as particular to oral culture and communication. Television, in its preservation of these forms, and in its generally mythic character, gains its effectiveness thereby and must be understood sociologically in such terns. The effect of such an understanding, it is argued, will be to challenge any comprehension of the medium simply as the particular product of a particular historical period and/or an imposition in culture of one world view on an other. The television message is both a collective product and a transhistorical one. It is argued that on both counts it needs to be understood as a genuine expression of a social need, though in its expression of that need it does not necessarily simply act to preserve existing social and cultural conditions

Telework and the changing relationship of home and work

The social, political and technological implications of the information revolution are the focus of this textbook. It explores the major social and technological issues surrounding the introduction of information technology (IT) into everyday life; presents historical and comparative perspectives on the social and technological processes involved in the uses of, control of and access to IT; and critically examines the assumptions underpinning technological development. Divided into five sections, each with a detailed introduction, the book provides a comprehensive overview of information technology, and its implications for all of us. Contributors place the debates around IT in an international context, illustrating the importance of social values as well as government policy

Proximity as a Journalistic Keyword in the Digital Era : A study on the “closeness” of amateur news images

Proximity is an ambiguous journalistic notion for which there is no single definition. In this article, we re-evaluate the relevance and use of the concept in the digital news environment. Based on interviews with journalists in Finland and audience focus groups in Finland and the United Kingdom, we ask how new forms of visual amateur production incorporated into professional news journalism have transformed the concept. The concept of proximity has evolved from being a criterion of news selection into a central imperative of news production aiming to engage audiences. Through the prism of amateur news imagery, proximity appears as a spatio-temporal, emotional and strategic keyword.Peer reviewe

Media Policy Norms for a Europe in Crisis

Europe is in crisis. Millions of its citizens are living in poverty and subject to sustained programmes of austerity that are widening the gap between rich and poor. Communicative possibilities are squeezed by the realities of media market behaviour: public service broadcasters are facing challenges of legitimacy and funding while established news outlets are increasingly distrusted by audiences. Despite the scale of the crisis, however, there appears to be little appetite amongst media researchers to develop a professional or policy response that rises to the challenge and attempts to offer necessary solutions. This article reflects on existing policy norms and suggests that we need fresh ones that better articulate how best to respond to neoliberalisation and both communicative and economic crisis. Rhetorical commitments to democracy, free speech, privacy and transparency are being squeezed by a more pragmatic emphasis on efficiency and competition, leaving little room for more expansive ambitions of social justice and equality. By focusing on several case studies, the article argues that we need more radical policy frames to confront the serious attacks we are facing on the public media and the public interest more generally